(Aka Underground 22) is the sweetest sounding amp you'll ever hear. Reminiscent of the classic American Blackface amps, the tone far surpasses even that famous design. This amp is smooth, warm and clean (just try to picture that contradiction in amp design) with a supremely linear gain structure. It is very touch sensitive with superb note articulation and silky sweet clean tones that grow into a rich harmonic crunch as you dial up the volume.
The Bruno Lead Man 60: is a high gain lead amp that really rocks. It has solid balls to the wall overdrive distortion with incredible note articulation and superb tone. This amp is very responsive and has a real slick presence to its sound. Turn down the midrange and this amp grinds out harmonically engorged heavy metal grind. Crank it up and it sounds huge with highly saturated tone and wicked sounding sustain. Deep bottom end, fatness and vivid bass response is absolutely amazing with the Lead Man.
The Bruno Pony 50 is British Plexi sound taken to it's finest with gobs of tone. This amp rocks with loud, strong, bright British tones that have superb detail and clarity. It has richly balanced clean and grind tones mixed with dynamic brilliance and great note articulation. The Pony 50 has a refined pristine voice that just gets lusher and more complex as you crank it up.
The Tony Bruno Super 100: is an amp that was built because of the constant demand from loyal Bruno clients. Each week Tony got several requests from guitarists who were looking for a channel switching amp that had rich warm clean tones and creamy smooth overdrive but were unable to find it. These players wanted an amp that delivered the type of tone made famous by Robben, Stevie, Larry, Eric and several other great guitarists.
The Bruno Underground 30 is one of the most coveted guitar amps in the world. It is an incredible sounding, hand-built masterpiece that has received rave reviews and awards from top musicians and guitar publications. This is an amp that must be heard and only then can you understand how an amp from a small boutique company could inspire such extraordinary endorsements.
The Bonneville Head is the smallest of Elmwood's heads. It's practically the Bonneville Combo, but with the benefits of a head. The 50 watt tube amp will give you an awesome quality and response, no matter if you are into jazz, blues or hard rock. With the special Boost function on both channels you can go from a nice clean sound, to dirty blues sound, to crunchy rhythm sound, to heavy lead sound, just by controlling the footswitch.
The M60 Modena is a 60 watt pure tube amp with two channels including separate EQ on each channel and with boost functionality on both channels. It's filled with top quality components and wrapped in the most beautiful design of red or dark stained birch. The sound and feeling of this amp will help you express everything from heaven to hell and it's 60 watts are specially optimized to give you all the power you need.
The M90 MODENA is the Big Brother of Modena M60 with the same superior functionality and external design. But - it differs from the M60 not only by it's muscular 90 watts. It is equipped with 2 KT88 poweramp tubes that runs on a significantly higher anode voltage and the preamp is slightly modified from the M60. Due to it's higher performance the M90 has a specially designed transformer for the power supply and a heat fan on the back side.
The Fargen Super Collider is an all new dual channel design that fuses the richest clean tones and the fattest sustaining lead tones possible from a dual channel 6L6 tube amplifier. This new innovative design encompasses the very best of Ben Fargen's previous custom shop offerings while raising the bar to deliver a no excuses world class tone that has to be experienced to be beieved.
The Lil’ King Reverb amp is the world’s first exact replica of the 1964 Princeton® Reverb amp. Headtsrong has painstakingly re-created one of the best small gig/rehearsal/recording amps of all time. Built using all the same high quality components as found in all Headstrong amplifiers; point to point wiring, tube driven spring reverb, bias vary tremolo, comes standard with a Weber 10" ceramic speaker..
The Prima 30 amplifier is the flagship model and first in a series of original designs by Wayne Jones. The Prima 30 has some very modern features while retaining a very classic look that Headstrong has become known for.
The Royal Reverb is the first true hand wired replica of the AB763 1964 Deluxe® Reverb, one of the best recording/small to medium sized gig amps of all time, used by countless session and touring acts for years. Until now you were forced to buy a 40 year old amp to get that tone. Now players are turning to Headstrong to get that classic blackface tone.
The Headstrong Verbrovibe is an affordable alternative for anyone lusting after an early-’60s Fender Vibroverb combo. The Verbrovibe amp is the world's first exact replica of the 1963 Brown Vibroverb®. The original was only built for a little over a year and was the first Fender® amp designed that had the reverb effect built into the circuit. The price range for good vintage examples has soared in the past few years making it affordable only to collectors with a large wallet..
Using the same amplifier in the JazzAmpTM 12 combo, the JazzAmpTM Heads were developed for those musicians who already have a cabinet they love or who just want to travel light. There are two parallel speaker outputs, a regular 1/4" jack and a Neutrik® Speakon® connector, which can be used simultaneously with two speaker cabinets. The head has a switchable power supply so travel abroad is not a problem.
The Atlantic Ocean is the body of water that connects the United States to the United Kingdom, and the Atlantic from Jackson Ampworks is the amplifier that does the same for the legendary guitar tones that each of these regions produce.
Designed as a Medium Gain, Non-Master Volume Amplifier, the Jackson Ampworks Britain is a new, All Tube, Class A Amplifier that seamlessly blends the best aspects of many legendary British amplifiers. From clean tones that swirl with chime and clarity, to overdriven tones that growl with punch and harmonic richness, the Jackson Ampworks Britain is one of the most toneful and player friendly amplifiers ever made.
Designed as a Medium Gain, Non-Master Volume Amplifier, the Jackson Ampworks Union Jack is a new, All Tube, Class A Amplifier that creates the same thick and rich overdriven tones that made many of the guitar heroes of the 1960's legends.
The Baby Bluesbreaker is just what it says it is, a 1 x 12" combo which screams that Beano tone from the start. Wind down your guitar's tone and open up the amp for some very familiar womanlike sounds of the 60s. This is a very aggressive and rather loud amp, not at all for the faint at heart.
Louis Electric's Ferrari Combo Amplifier breaks new ground and delivers an inspired design that combines auto racing aesthetics and rock and roll sonics.
The Ferrari's control layout will be familiar to owners of his celebrated KR12, but that's where the similarity ends..
The KR12, is Louis Rosano's masterpiece. Think of the finest Keith Tweed tones and now add 3 levels of gain that can take it all the way to full on modern metal while always maintaining a very healthy dose of that 50s/60s vibe and mojo. This amp does it all and could easily be anyone's desert island amp.
The Trembelux is Louis's take on the history of the tweed, starting off in the realm of a Deluxe and finishing off with one of the most musical Bandmaster/Bassman singing lead tones you could hope for. You can simply plug into the "Normal" channel and work the volume and tone for a world of incredible sounds or you can bridge the Fat and Normal channels for much greater flexibility and control over the sculpting of your tones.
The Tremverb is, well, think Setzer as opposed to SRV for a lively jumping reverb amp whose sound will fill the room. This amp has tones that are more characteristic of old Ampegs and Selmers as opposed to those from the Fullerton Plants. The Tremverb has a brighter and livelier sound that jumps from the speaker and dances about the room.
The Cantus is a 50watt amp drawing heavily from the design of a 1968 JMP Small Box Plexi. It is powered by 2 x EL34s, dual Hexfred solid state rectifiers and 3 X 12AX7s. The control layout on the front panel is as follows: Power, Standby, Presence, Treble, Middle, Bass, Master, Boost Switch, Volume & Input.
The TWISTED TRIODE is packed full of some of the thickest and creamiest crunchy rhythm to full on screaming lead guitar tones to be found. It is not Tweed nor Vox or Marshall and is neither 6V6, 6L6, EL84 or EL34. You will hear all those sonic footprints, but the Twisted Triode's tones are deeper, thicker and richer than those of your typical EL84 or EL34 amps and yet more raucous than those of your typical 6V6 and 6L6 amps.
The Emplexador MKII TH-E50 & TC-E50 feature a traditional hi/lo input with selectable voicing between "Classic" and "Overdrive". The first mode, labeled "Classic", is based on a 1968 "Plexi" with a few twists thrown in for added versatility! The second voicing, labeled "Overdrive", is designed to attain the best overdrive sound available with tons of gain and sustain while still offering some ability to have the amp clean up when your guitar is turned down.
The King Royale K-35 Guitar Amplifier has two channels featuring high and low inputs. The first channel, with simple volume and tone controls, is derived from a classic Vox AC-30. The second channel comes from the classic Vox AC-30 "Top Boost" and features: volume, treble, mid, bass, master volume control.
DestroyAllGuitars is extremely excited to announce the unveiling of Brian Gerhard and TopHat Amplification's newest addition to their incredible line of amplifiers. The amp is called the Supreme Sixteen.
The Vanderbilt 33 is a bigger, thicker, chewier version of what the Supreme 16 is. Not better but different. This is the dream amp for those who love the rhythm sounds of Richards and Townshend and all in between, and who crave lead tones that are super fat and chewy where you can hang onto and squeeze every bit of juice out of each note. No need for reverb or any effect for that matter.
The Classic Series introduces a new era at K&M Analog Designs. With their deepest gratitude to artists Steve Kimock and John Mayer, among others, Two-Rock is reinventing the 2 channel platform, adding more tone shaping features, yet maintaining the utter simplicity and uncluttered signal path that creates the Two-Rock signature tone and feel.
The latest edition to the Two-Rock Classic Series is the Classic Reverb. Using the Sterling Signature and John Mayer Signature amps as the guide, Two-Rock has added a few features to enable the guitarist to tailor his clean sound from super squeaky hi-fi clean all the way to edgy, medium distortion. Two-Rock has purposely tweaked the input stages to enhance distortion pedal performance.
The Custom Reverb Signature is the culmination of everything Bill & Joe have learned since day one. It has a lot of the same features from their early days building amplifiers. The CR Sig has a very refined lead channel that has been tweaked to perfection.
Love the Two-Rock tone but don't play for 20,000 people every night? Or maybe you're looking for a great studio amp? In either situation, the Jet is right for you. The Jet has been specifically designed to produce killer Two-Rock tone at a lower volume than any other amps in the line.
The Jet Signature has been specifically designed to produce killer Two-Rock tone at a lower volume, yet still offers fine tuning features not found on some other "grab and go" amps. It can produce 20 watts through 2 6v6's or 35 watts through 2 6L6's.
Once dubbed the "The High Priest of Magical Guitar Tone," Steve Kimock has teamed up with Bill Krinard to develop the Kimock Signature Amplifier. This incredible tone machine contains a mix of new, old, out of production, and custom components each individually chosen to produce the most toneful, responsive, articulate and musically inspiring Two-Rock amp to date.
The Overdrive Signature is truly a work of art, tonally speaking. Built on Two-Rock's long chassis platform with 100 watts, the OD Sig is a true performance amp. It's preamp section is similar to the Custom Reverb Signature , but employs different control values for the EQ that are more open with greater sweeps. There's additional negative feedback in the circuit, adding to the bloom.
You want smooth, we got it...(featuring the HRM Post Overdrive Tone Stack). The Classic Type 2 offers a unique approach to the "two amps in one box" concept. Seasoned Two-Rock veterans will be fondly remembering the Opal and Emerald Pro, as the Type 2 offers internal EQ dedicated to the lead channel only.
The Two-Rock Classic Type 3, a descendant of the Kimock, is a dual channel amp that specializes in the dialing up and dishing out of some extremely powerful piano-like punchy clean tones as well as giving us the widest selection of end-all lead tones to ever come from one amp.
Amps: heads
