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Pheo Guitars

No, you didn't forget to put on your glasses! These fractured, yet crafted, random yet profoundly organized instruments are the creations of Phil Sylvester of Pheo Guitars. They are the very epitome of functional art - they play, beautifully, even startlingly well. They are consummate instruments that press hard at the boundaries of what we normally think an instrument "should" be. From Pheo you will find remarkable guitars and amplifiers made from found objects and crafted elements - old instrument parts, hairdryers, grills, vacuum cleaners, etc. all deconstructed and reassembled into a whole that only vaguely resembles, and certainly transcends it's origins.

These instruments posses functionality you won't find anywhere else. For instance, the "Pheo UN" has it's pickups mounted on a typewriter mechanism so they can be repositioned on the fly!

Destroy All Guitars is uniquely proud to be representing Pheo. Pheo rounds out, yet simultaneously dissects the DAG collective in a way that no one else could. Are you an adventurous type? Can you appreciate deconstructionism, cubism, impressionism? Do you love the idea that your favorite guitar could simultaneously inspire deep humor and gentle insight, along with sounding awesome AND presenting uncanny functionality? Then browse along, you've found a world unique unto itself and filled with the unexpected, the oblique and the yet to be.

Destroy All Guitars represents all of the currently available Pheo Guitars. We will place them in the new arrivals section of our site frequently, but you should always feel free to call or write us for the run-down of what is currently available.

Phil Sylvester Bio
Phil Sylvester attended Berklee College of Music, completed studies at the Hayes - Marshall School of Theater, and earned a BA in mathematics at Reed College and a Master of Architecture degree from Princeton University . Phil left architecture to become a full time visual artist in 1981 and has since then exhibited paintings, drawings, and sculpture in various galleries and cities in the US . Guitars became his principal art form in 1996. Since then, his instruments and amplifiers have been exhibited in Portland, Seattle, New Orleans, and Vancouver, B.C. and have appeared in Vintage Guitar magazine and Guitar World magazine. The instruments are being used in performance by a number of US bands. Sylvester founded his own art school, The Drawing Studio, in 1991.

Artist's Statement
"My last twenty five years have been spent as a fine art painter, drawer, and sculptor. What I have learned from 20th Century master artists, Giacometti, Cezanne, Matisse, Johns, and others, is an economy of technique, doing what is necessary to get the job done, nothing more, nothing less. The work of these great artists is about expression above all, and all gratuitous craft is rigorously paired away. Most fine guitar making is obsessive about craft perfection. Mine is not. I strive to build instruments that sound exceptional, play beautifully, and are extremely interesting to look at. The instruments aren't gratuitously tidy or perfectionistic or consistent. I tear them apart and rebuild them until I find them exciting. Perfect guitars are great, but there are plenty of those. I'm searching for something more raw, more direct." - Phil Sylvester

Please browse through the random descriptions that follow:


The Tropic Chili Bar ($2500):

The housing actually was for cooking chili and for warming bowls. I've replaced the chili pots with two 4 ohm ceramic 8's, a Blue Marvel and a Danelectro. The head is a fifties McGohan with two 6v6's, two 12AX7's, and a5Y3 rectifier, maybe 15 watts. Controls are volume, treble, and bass. I originally built this amp for looks but it turned out to have one of the prettiest clean sounds of any amp I've built and you can push it into enough overdrive to get scary. The Pheo sign is a hinged, retractable reflector to redirect the sound from the speakers forward.

Sputnik ($2000 SOLD):

This amp is housed in a Hoover Constellation, the early sixties vacuum cleaner that floated on a cushion of air. The amp itself is a revoiced and restored Raymer, using an EL84, a 12AX7, and an EZ81 rectifier, maybe six watts. The top of the vacuum holds a vintage Jensen C10Q surrounded by balsa wood. The bottom holds the head, which rises when one pushes the secret button. Controls are volume and tone. The head goes from jazzy clean to screaming lead.

Amp for a Beatnik's Sofa ($2500):

This amp is designed as a coffee table with two matching end tables. When I designed it I was thinking about how, despite being a tube amp guy, I occasionally miss the clean sound of a really good, really powerful, 70's solid state amp. This amp uses a 70's Ampeg G115 solid state 175 watt head, designed originally for pedal steel. The head has tremolo and reverb and is hidden under the coffee table top. The knobs are revealed by flipping up a panel on the front of the table. The speakers are two JBL 15's. They are housed in open backed, floor tom shells and face up into conical plastic sound diffusers. The diffusers are a frosted grey green and house 40 watt bulbs that can be turned on or off depending on the romantic mood you want to create with their down light. The table tops are African mahogany with an oil finish. You supply the bongos and the date.

Pheo Horseshoe ($3200):

Built around a vintage Rickenbacker horseshoe pickup from a ten string lap steel, 8.8 K ohms. It growls. The pickup is mounted so that it can be slid from bridge position to neck position and everywhere in between. It can be slid by hand while playing and has height adjusting mechanisms that assure that the strings go through the pickup at the optimal height in all positions. The body is made from swamp ash pieces from an early 50's multi-neck Fender lap steel (that couldn't be restored, you vintage Nazis). This wood is old, well played in, and has its original lacquer finish. The neck is a Fernandes medium C, 8.5 inch radius, maple with a rosewood veneer cap like late 60's Fenders. Scale length is 25.5 inches.

Kingfish ($2500):

The Kingfish is my most sophisticated folding guitar. It folds into a small bundle without removing the strings and is is pretty much in tune when returned to its unfolded state. This is accomplished using a cam system on the bridge that takes the string tension down slowly until the bridge itself, with the strings attached, can be removed. The Kingfish is designed for phosphor bronze strings, with a Fishman Neo D in the neck position and a revoiced Microfrets pickup at the bridge. The only control is a pickup toggle. The neck is a 24 inch scale modified Microfrets, 10 inch radius, thin C shape, maple with a rosewood cap. The body is swamp ash, mahogany, and alder with flame rock maple wedges.

Bikini ($3750):

The Bikini is a double neck, bass and six string, that can also be used as two separate guitars. The body is light mahogany. The added body wings when the guitars are used separately are swamp ash. The bass uses a 34 inch scale Warmoth, bolt on, maple/ebony neck. The bridge pickup is a Rio Grande Jazz, the neck pickup is from a vintage Musicmaster. The two together hum cancel. The six string has a 25 1/2 inch scale maple/maple cap neck with a compound radius and Sylvester Custom pickups. When used as a double neck, the necks are not parallel. Their atypical angles allow easier access and makes the necks easier to see. The Bikini is very light for a double neck.

Arline ($3250):

The Arline's body is made from a piece of Douglas Fir my son and I found in the Pacific Ocean . The body has sound chambers and an ebony cap.The neck is mahogany/rosewood, 25 1/2 inch scale with a 16 inch radius. Pickups are Rio Grande Asats. The bridge is an ultra light wrap around, hand cut for compensation.

A few selected descriptions of a cross section of Pheo creations (described in Phil Sylvester's words):

Pheo Tomcat ($3250) NEW!:

The Tomcat is made from a three ply WFL Ludwig drum shell with a flat spruce top, x braced and slightly graduated. The back is a tunable drum head. There is a sound port on the side of the shell, pointed toward the player. The neck is 25 1/5 " scale, mahogany, rosewood fingerboard, medium C profile. Lower bout is 17". Upper bout extensions are from a vintage Mickey Mouse guitar. Sound is bright, articulate, and complex, archtop midrange with flattop overtones.

Pheo Bamboo ($4700) NEW!:

The Pheo Bamboo is a hollow body electric resonator guitar. The neck is actually built from a piece of bamboo. It is just a tad over 2 inches wide at the nut and quite deep on occasion. This neck is for players comfortable with baseball bats, plenty of room for finger picking. The fretboard is maple, 25 inch scale, 12 inch radius. The solid part of the body is an odd, very resonant piece of oak, while the hollow part of the body is sapele and honduras mahogany. The resonator is a McCann's Irish oatmeal can (when only the best will do). Pickup is a Pheo custom alnico single coil. The neck structure is hinged, allowing neck angle adjustment for very low, albeit wide, action. The body is 2 1/2 inches deep, 13 inches wide at the lower bout. The headstock is a proprietary design that doubles as a weapon.

Prepaul ($3750):

The Prepaul has traditional construction and materials with a few major twists. Basically it is a Honduras mahogany body and neck with a rock maple top, 7 lbs 15 oz. However, the maple cap and the rest of the body are decoupled, i.e. separated by a quarter of an inch. The neck is 25 1/2 inch scale, fairly hefty c profile , with a 1 5/8 inch nut. The decoupling and the longer scale length give the guitar a slightly brighter voice, a bit more detail. The detail is enhanced by the pickups, actual 1956 Gibson pre PAFs, a design I prefer over actual PAFs, because of the clarity the polepiece magnets have over the later bar magnets. The neck is at least forty years old and is connected by a complex long tenon joint. The top wood is from a 1956 Gibson Pedal Steel. Tuners are locking Sperzel.

Capri ($2650):

The Capri is a weird little guitar. Based on a semi hollow Alamo Capri body from way back, the Capri weighs only 4 lbs 12 oz. The neck is a thin flat c profile, 19/16ths nut, 25, 1/4 inch scale, made of walnut with a slab maple cap, locking Sperzel tuners. The neck pickup is a Chandler lipstick. The bridge pickup is a stealth Tele bridge pickup. There is an actual hand wound T bridge pickup with base, hidden under that humbucker cover. This guitar has one of a kind character both visually and sonically. Only the Brave.

BB ($2750):

The BB is a Pheo Hotrod, that is a preexisting guitar that has been Pheoized to within an inch of its life. This guitar was once a Ventura, obviously, but has been massively upgraded and revoiced. First, the top is all new, solid spruce, flat, not arched, x braced with a custom flanged bracing system. The neck pickup is a 1956 Gibson pre PAF, a superb pickup if you are not familiar with it, has the body of a PAF, but better clarity in the wound strings. The bridge pickup is a 40's Gibson lap steel pickup, rewound with the actual original wire. The 5 ply 24 3/4 scale neck is very small, 1 9/16ths nut, shallow c profile, very fast and easy to play. Body is maple ply, 3" thick. This guitar is both a superb jazz box and a honkin' rockabilly barker with a vintage feel and sound and the scars to prove it.

Tonabar ($4250):

The Pheo Tonabar is a new kind of solid body. The bridge is anchored in two floating lengths of walnut, connected to the rest of the body only at the neck and tail. This construction makes the guitar exceptionally loud acoustically, while not dissipating sustain through membrane vibration. The neck is a hefty, c profile, 25 1/2 inch scale neck, formerly from a Fender Newporter, maple with a veneer rosewood cap, newly fretted, grrreat vintage feel. The body is honduras mahogany and walnut. The guitar weighs 7 lbs 8oz. The neck pickup is a Pheo custom, based on Gibson's pre PAF pedal steel pickups. The bridge pickup is a vintage Baldwin single coil that slides forward and backward. The forward position is great for lead playing, the back position makes for wonderful shimmering rhythm sounds when both pickups are on simultaneously.

Baby Head ($4800):

The Baby Head body is made with swamp ash and a small piece of basswood. The neck is maple with a rosewood cap, 25 1/2 inch scale, 10 inch radius, thin C profile. Pickups are a Chandler lipstick and a vintage Schaller single coil for the bridge. The Schaller is a very vocal, honky pickup with good output. Controls are a push/push switch for choosing the primary pickup, master volume, master tone, and a blend control for adding the secondary pickup. Design is fully ergonomic despite how it looks. The absolute tone secret is the addition of a rubber baby head and baby arm with hand. This exact amount of rubber, added to the body mass, sucks out all bad frequencies, leaving only dulcet harmonics.

Dale ($3250):

The Dale has a hollow mahogany body with a thin Sitka spruce top. The top and back are coupled with a delicate box beam construction that keeps the guitar sufficiently rigid while being incredibly light (5lbs 2 oz).  The strings pull through a small area of solid wood beneath the tail end of the bridge plate. These structural details give the guitar an interesting singing sustain despite being hollow. The neck is 25 1/2 inch scale, 16 inch radius, maple with rosewood cap and a fairly sizable C profile, not a boat neck by any means but a little heftier than a medium C. The pickups are a Florance Tele style at the bridge and a Pheo custom at the neck, using old Dimarzio PAF coils and the magnet structure from Gibson's original pedal steel humbuckers from the fifties. The design gives more clarity in the neck position than a typical humbucker. Controls are a push/push switch for choosing the primary pickup, master volume, master tone, and a blend control for adding the secondary pickup.

Clifford ($2600):

The Clifford is a Pheo hot rod, that is, not an original design, but a vintage guitar that has been heavily Pheoized. This guitar was once a Gibson SG Melody Maker with a light, one piece mahogany body. A maple neck with a maple cap was added, but the neck is Fender scale, 25 1/2 inch, rather than the typical Gibson scale, with a12 inch radius. The maple and longer scale give this guitar a decidedly brighter and more complex voice than a typical SG. The pickups, too, are very atypical for an SG. All are by TV Jones. The neck and bridge are Magna'Trons, an original TV twangy humbucker design, and the middle pickup is a TV-HT, TV's version of the Hilo'Tron. Controls are master volume, master tone, and a three way switch to select each of the pickups.

Facet ($3500):

With the exception of the neck, the Facet is made only with planes, no curves. The body is designed, despite the flat surfaces, to ergonomically fit the player's body. Construction is hollow, with an internal truss system to provide the necessary rigidity with the least material. The result is an incredibly light, acoustically alive body. The whole guitar weighs 5 lbs 3 oz. Top wood is Spanish Cedar. Back and sides are Indian Rosewood. The neck is maple, 25 1/2 inch scale, medium c profile, with a 7.25 inch radius. Pickups are a vintage Gibson single coil in the neck position and an overwound Fralin P90 with polepiece magnets at the bridge. Controls are master volume, master tone, and a five way switching syste that gives neck, bridge, both, and two quack settings using unequal amounts of neck and bridge.

Lapocaster ($3500):

Wish you had a '52 Esquire but can't afford it? This guitar is made from an unrestorable, early fifties, Champion/Student lap steel. These lap steels had basically the same parts as an Esquire but in a different format, same swamp ash used for the bodies, same pickups (sans base plate), same pots and caps. I attached a 9.5 radius, medium C, 25.5 inch scale, rock maple neck. The guitar uses all the original parts except for new pots, tuners, knobs, and brass slant compensated bridge saddles. The body can be used in the small format or with the swamp ash ring that makes it more the size of a regular guitar. You also get the Pheo pledge, "no part of this guitar has been sanded or finished unless absolutely necessary to the guitar's performance". No other custom guitar maker makes a comparable pledge.

Epifaux - ($2200):

This is a Pheo Hotrod, that is, a modification of an existing (unrestorable) guitar to get the best out of it. The guitar was originally an Epiphione Olympic; very light, resonant, one piece mahogany body; super thin, newly fretted, mahogany neck. It now has an Epi vibrato, two Gibson mini humbuckers at the middle and bridge positions, and a Chandler Firebird mini humbucker at the neck position. Switching is 5 way, like on a Strat with all pickups in phase. Controls are master volume and tone.

Funicello ($2950):

The Funicello has a three piece mahogany neck through core with detachable hollow wings. The wings have spruce tops and mahogany back and sides. The neck is 25 1/2 inch scale, with a 10 inch radius and a rosewood fingerboard.The bridge is a Steinberger licensed non-tremolo. The Funicello is designed to use phosphor bronze strings and, hence, has a somewhat more detailed and delicate response than a typical electric. Pickups are a Fishmann Neo-D in the neck position and a Sylvester Custom at the bridge. Small alder wings can be substituted for travel, reducing the size of the guitar to the neck, pickguard, and bridge.

Viola Bass ($2400):

McCartney style bass but made with a real viola body, solid spruce top, solid maple back and sides. A rock maple spine from neck pocket to tailpiece takes the string tension, leaving the top free to vibrate. 34 inch scale, 12 inch radius, graphite reinforced neck. P bass type pickup with volume knob, suspended over the body.

Best Worst ($3100):

I wanted to build a guitar that hadn't an ounce of unnecessary craft, but that met my absolute highest standards in terms of sound and playability. The Best Worst has a pine body, a 60's Newporter neck, refretted, 25 1/5 inch scale, 7.25 inch radius, maple with rosewood veneer cap, and Gotoh tuners. Both pickups are true vintage, made by Fender in the fifties for lap or pedal steels. Through body, compensated bridge. Controls are volume, tone, and blend, with a push push selecting the primary pickup. The two pickups together are hum cancelling.The finish is oil.

Jezebel ($3250):

The Jezebel sounds like a big body jazz box while being only 1 3/4 inches thick. The body is hollowed alder with a carved spruce resonating diaphragm, braced like a violin top with a bass bar and a sound post. The bridge is one piece bone from an African bracelet. The neck pickup is a modified G&L. The suspended bridge pickup is a Sylvester Custom, designed to color the tone of the neck pickup as well as provide hum canceling. The neck is a Warmoth, thin profile, compound radius, 25 1/2 scale maple/rosewood bolt on. Finish is nitrocellulose lacquer.

Futuramic ($2950):

My very first guitar design, the Futuramic's body is alder, the top half hollow, the bottom half solid. Pickups are Chandler lipsticks with a hot Dimarzio in the bridge position. The middle pickup is reverse wound reverse polarity for hum canceling. The neck is a 25 1/2 inch scale, maple/rosewood bolt on, with a 12 inch radius and a medium, slight V profile. Finish is nitrocellulose lacquer.

Wobbit ($2500):

The Wobbit is a folding travel guitar with a hinged neck joint. Folded, the guitar fits in an antique woodwind case, 4 x 5 x 24 inches (you should see the look on airline security's face). The Wobbit's body is alder with maple strips on the back. The neck is maple/rosewood, 23 5/8 scale, and 7 1/4 inch radius. The pickup is a Fralin and can be slid to various positions. The pickguard is cocobolo. The leg/arm rest is wenge.

Lil' Shaver ($3250):

Balsa is a great but fragile tone wood. The Lil' Shaver has a 2 inch deep balsa body capped with thin plates of goncalo alves. The neck is bolt on mahogany with a maple center strip and rosewood fingerboard, 24 3/4 scale with a 7 1/4 inch radius. The pickups are both Sylvester Custom mini humbuckers. The pickguard is made from a found '40s cartoon.

Fromage ($2950):

I love Japanese cheese guitars and wanted to convert one into a quality instrument. This one was Philippine mahogany. To enrich its response, I added a rock maple rear cap. I replaced the neck with a refretted, vintage 60's Malibu neck, 25 1/2 inch scale, 7.25 inch radius, C shape, maple with veneer rosewood cap, and its original Kluson tuners. God, these old necks feel good! The body has linoleum edging, a clown vomit and silver sparkle pick guard and an upgraded tunomatic bridge. All controls are push button and allow every pickup combination I found interesting, as well as tone cut and volume cut. All two pickup selections are hum canceling. The pickups are a Pheo single coil at the neck, the original Japanese pickups at neck middle and bridge middle, and a Pheo 8.25K single coil at the bridge. For God knows what reason, this cheese guitar sounds astonishingly like Stevie Ray Vaughn's No.1 when just the neck pickup is used.